AICN veteran on goblins, research, and if he’s done with criticism.
It’s an old insult: If critics know so much about films and books, why don’t they write them? That’s exactly what C. Robert Cargill has done, and he argues that being a critic made him a better writer. He said, “I went into every movie trying to learn from it as much as I was trying to dissect it.”
Faeries are often considered fragile, beautiful creatures full of whimsy and magic, but as the hero in C. Robert Cargill’s Dreams and Shadows discovers, faeries can often have a nasty side. When young Colby is taken from his less-than-perfect home by faeries, he’s brought to a place inhabited by all sorts of paranormal creatures. But this new world has problems of its own, and Colby learns that the Limestone Kingdom is something that will stick with him forever. Today, the author shares why he gave his faeries a tough edge, but why he still prefers them to the typical pixie.
Folklore and Mythology are the polite, though backhanded, words we use to describe religion we don’t believe in; Mythology being the word we ascribe to officially recognized beliefs, Folklore to those that didn’t borrow from the establishment, but people believed anyway. When you think about it, it’s strange that so much of what we put in our fantasy books, movies and video games actually, once upon a time, was believed somewhere, by someone, as (their) God’s honest truth. After all, Tolkien didn’t invent elves and dwarves – he borrowed them from the religions of northern Europe – and The Arabian Nights weren’t all just bedtime stories, they were lessons of Islam and tales about the things people once thought really might lurk in the desert sands.